CHAPTER 1
|
THE
CHRONOTOPE OF REAL-TIME AND REAL-SPACE IN CHAUCER'S
CANTERBURY PILGRIMAGE |
| CHAPTER 2 |
CHAUCER'S PARDONER, THE
BISHOP OF PAMPLONA, AND THE GREAT WESTERN SCHISM |
| CHAPTER 3 |
SOCIOLOGICAL POETICS AND THE
CANTERBURY TALES |
| CHAPTER 4 |
COMPOSITIONAL FINALIZATION
IN THE CANTERBURY TALES |
| CHAPTER 5 |
"HOOLY CHIRCHE,"
THE SACRAMENT OF MARRIAGE, AND THEMATIC FINALIZATION IN THE
CANTERBURY TALES |
| CHAPTER 6 |
CHAUCER'S CLERK OF OXENFORD
AND OTHER RIME ROYAL INTERLUDES |
| CHAPTER 7 |
CHAUCER'S "HISTORIAL
THYNGE NOTABLE": ELEMENTS OF SCHISMATIC HERESY IN
THE PERFORMANCES OF THE PHYSICIAN, PARDONER, AND SHIPMAN |
| CHAPTER 8 |
INCREASE AND MULTIPLY IN THE
SPEECH ACTS OF CHAUCER'S NUN'S PRIEST, SECOND NUN, AND
CANON'S YEOMAN |
| CHAPTER 9 |
CHAUCER'S KNIGHT, THE TALE
OF MELIBEE, AND THE SOCIOHISTORICAL
IMPLICATIONS OF PILGRIMAGE |
| CHAPTER 10 |
CHAUCER, VIA
CESSIONIS, AND THE CANON'S
YEOMAN'S TALE |
| CHAPTER
11 |
PILGRIMAGE IN THE AGE OF
SCHISM |
